Saturday, October 12, 2019

IF: History


   This week's Illustration Friday topic is History, and it took me a while to decide that this image fit the description. Weaving has a long history as a metaphor for the fabric of life and culture. And often, the stories of history are told with patterns of thread that miraculously combine to illustrate them. This weaving has a history too, because it once had little figures within it. But they took the spotlight off the weaving itself, so I painted them out. On the way to repairing the surface, I liked this in-between stage in which the figures are gone, but evidence of their presence remains. Kind of like how many people remain with me long after they are gone from my daily life. The title of this one is Tapestry.


Tuesday, October 8, 2019

Three Level Stones :D



This makes me very happy.

   After the last time I grained, with no success, I was convinced I was missing a piece of the graining puzzle. It turns out I was, but it was only a matter of seeing the problem from the other side. I think I have the gist of it now.
   I'm so lucky because my excellent teacher Rebekah from my class at Zygote last summer is willing to help me long distance. And I'm talking really long distance, because she is currently in the middle of a two month long artist's residency in Taiwan. So bless her heart twice.
    I wrote to her with my questions about graining and she sent back three whole sets of drawings that detail graining patterns and which one to use under certain circumstances. That was my ticket.
     Today, we started fresh with two different stones. I now have a student working with me who is a true problem solver. That is another piece of luck, a couple times over, because he can think and he is tall and strong, two things that I am not. Litho takes quite a bit of muscle, and it sure was nice to have someone to take turns with. And to help carry heavy tubs of water.
     Admittedly, the stones were pretty level to begin with. By the time the previous images were grained out of the stones (one of them was very dark, so it took a while. I'll have to remember to keep better track of the cycles so we know what to expect), the smaller stone was level, but the big one on the bottom was low on the edges. I was kind of discouraged, because it wasn't like that when we started. We had made the stone worse! My student had to go and I sat down with a thump to think about it.
   Then came the aha moment. Instead of thinking that the edges were low, I should be thinking that the center was high.
   If you use two stones that have the same problem as graining partners, like two convex stones or two concave ones, used together they will even each other out. One of the stones I grained last time was convex, so I hauled it out and used it to grain Fred, the bigger stone on the left in the photo. I did three cycles of 100 grit, dried it off, and yay. A level stone.
     We'll polish them next week, and then we can start drawing. Two of the stones will be used for etching charts, one for crayon and one for tusche. My student gets to draw on Fred.
    It's slow progress, but we're getting there. I just need to remember to look at things from the other side.



Saturday, October 5, 2019

Look what I got :)


     Well, I'm being held captive by a mountain of grading, but I'm being kept alive by sneaking to my easel or marimba for a few minutes during breaks. Two classes to go and then I can get some work done.
     In the meantime, look at this! Our excellent student assistant 3D printed this for me after I mentioned that if I ever get a stone grained to level, I would probably draw the knot as a first litho in the shop. I've been turning this over and over in my hands to try to get it to match up with the first one, but now that I see it here, I think it is a mirror image of the simpler version. I love the complexity of it; I could get lost in all of those negative shapes. Plus, the cast shadows are amazing. I think I'll grain that stone with the ultra fine #5 grit (which makes no sense, because all the other grits are numbered in the 2 and 3 digit range, but whatever). It's fun when you can imagine how something will look before you even start it.
    I've also recently realized a mistake I made in drawing the first one, which is that I based it on a cube and it isn't one. I haven't actually measured the proportions yet, but my guess it is more like half a cube. What do you call that?

Friday, September 27, 2019

The tree is out and the pots are staying

    It's been a long week of school and administrative work. I still have another pile of it waiting for me. But, I snuck down to my studio to see about the tornado painting. 
     Last week I drew the tree in along with a couple other elements and left it alone. I've been having misgivings about the tree idea ever since. Plus, I like the pots. I like the scale difference between them and the tornado. 
     I guess I needed to live with the possibility for a while before I knew it wasn't right. Like so many other things.
     Anyway, I have an idea for a new element, so we'll see how it goes.
     In the meantime, I'm working on this little one, too. It comes from a dream, and it was so simple the image stuck with me. It's hard to see, but there is a cord with a knot at the top drawn in. We'll see how this one goes, too.


Saturday, September 21, 2019

IF: Dream


  Dreams have always been a source of inspiration and pleasure for me. I've kept dream journals for much of my life, and many of my images are directly derived from them, When my son was just beginning to talk, I would ask him about his dreams when we woke up every morning. For a long time, he didn't have an answer. But one day, he offered up that he had dreamed about his toy trains, which were a big hit in our house at the time. I'm glad for this opportunity to relive this lovely memory with my contribution to Illustration Friday's topic of the week, Dream. The title of this one is Dreamer in Training.
     I am also glad for the chance to show it again, because I recently corrected a minor mistake in perspective in this piece. It was a small error, but it has always bothered me. So here it is in its new and improved form.
  

Thursday, September 19, 2019

You win some, you lose some


   The good news is, the portable graining station works just fine. I found a tray with a lower profile lurking in a cupboard, which suits me better because I don't have to lift the stones so high to get them out of the tray. 
     The bad news is, after about 2 hours of graining, I still don't have a level stone. And the worst part is, I think I might have a wedge shaped stone on my hands. 
    These two are my fifth and sixth experience with graining. It is has never been an easy task. I'm hoping that practice makes perfect.
    I'm considering using a much smaller stone to grain these next time, instead of using them together. Maybe then I can focus on the areas that are high and stop reducing the low areas. 
    I'm also thinking about offering extra credit to certain students (ones with muscle, stamina and a knack for detail work) in exchange for graining labor. Would that be fair?

Tuesday, September 17, 2019

What I am thinking


Maybe I'll do this.
Yup, the pots will have to go.
Maybe we'll see if some crows would work instead.

Sunday, September 15, 2019

Update

I may have figured out what to do.
See? I told you posting it would help.
I might have to lose the pots.
This painting might take longer than I thought. I sort of wish it was bigger :/

A little too soon


  I found this little guy on the ground next to the other pumpkin flower, poor thing. We had a tornado warning last week, one of the handful times I've ever been herded into a safe place for that reason. This little one must have been blown off in the storm.

As far as my own tornado is going, I'm kind of stuck. As you can probably see from all the residue white charcoal marks, I'm struggling with the hopeful element I promised to add. I'm sorry for posting this with just a few changes from last time, but sometimes it helps me to see what I should do if I post it here. I hope it works this time.


Friday, September 13, 2019

A Volunteer


Here is one of my guilty secrets: after Thanksgiving, I roll the season's pumpkins and gourds down the hill, and that is that. Sometimes, I get lucky and something volunteers to grow where they land at the edge of the woods. I noticed this beauty down there about a week ago. I'm not exactly sure what it is. It could be a pumpkin, or it could be a swan gourd. It is so late in the season and the sun is getting so weak, it probably won't amount to much, but it is a lovely thing to find.

Sunday, September 8, 2019

The Start of the Hopeful Element

    I only had a little studio time this week (it's going to get better, right?), but I thought I'd post where I'm at with this little painting. I spent a longgg time last night and this morning trying to get the ellipses right on those little pots. I'm not lying to my students when I tell them I still have to work hard at things like this.



Here are the ellipses, during the construction process. I'm not sure they are spot on, just yet. After this, there is one more element to go. My next job, besides truing up those pots and working on shading everywhere, is researching the final element. Doing that is one of my favorite parts :)



Litho News

   It was another busy week. There is a surprising amount of paperwork that comes with the beginning of the semester. That is kind of new. I used to be able to count on coasting with no grading for a few weeks. Assessment duties have made that less true.
    So, I've only made meager progress this week, both on setting up the litho shop and at painting.

   Starting with litho, this is our stone library, minus Jabba (size discrimination!), temporarily housed on a counter in my classroom. I have two picked out to start graining, named Lilly and FeeFee. Both are 11"x13". Because they will both be grained at the same time, against each other, I'll end up with two stones ready for drawing. One will be used to make an etching chart and the other will be a drawing of some sort. I might do that torus knot again. We'll see.

   My other bit of progress was that I got my grits in order. We are so lucky to have so many of the traditional materials on hand that are still used in the Green Litho process. The grits are iron filings, ground to different levels of fineness. The lower numbers are more coarse than the higher numbers. The #100 will be used first to level the stone. That is the most time consuming part. After the stone is level, it is just a matter of a few cycles at each grit to polish the surface. 

   I'm not crazy about these shakers, but, I got the lot for $2 at the Dollar Store. I'm worried they will be a bit tippy. They'll get us started, but we might have to invest in something a little fancier for the job.
    I've never gone past #220, but I saw a litho this summer in Cleveland that had a texture like velvet, it was so fine. The #5 on the end is much finer than the others. I'm looking forward to seeing if I can get a texture like the one I saw at the Cleveland Museum of Art. I sure with I had bought a print of that litho.
    Tomorrow, one of my jobs is to see how level Lilly and FeeFee are. Then on Tuesday, we'll see if my graining setup works.


Friday, August 30, 2019

    There have been times when tornadoes were a theme in my dreams. They were a big fear of mine when I was a little kid, so I guess it makes sense they would show up in my dreams now and then. I think I mentioned before that I found a little thumbnail like this in an old sketchbook. I suppose I could trace it back and figure out what I was worried about when I drew it. Lots of things worry me now, just not as much in a personal sense as it did in my past. That's why it felt ok to borrow this image from my former self. I'm grateful she jotted it down.

    It's a little rough around the edges (Ha! Literally!), and I still have another element planned.  A hopeful one, as promised. We'll see how it goes.

Stone library shelf

Well, it was a busy week. The first week of school always is, but in addition, we finally got the litho stones moved into my classroom (yay for Planet Fitness!) and we settled on a design for the shelving unit that will house them. We have 28 stones, and the unit will hold 27 of them. The last one, (named Jabba because it is so big), will have to stay on the cart it has lived on for years.
    This is a CAD drawing of the design, made by our student assistant Joel.

 My colleague and Joel designed it, and I think it will be really strong. This shows the metal frame that will be mostly welded together. In addition, there will be plywood shelving on top of the horizontal bars. There will be three sets of these units, and they will be stacked in a corner of my classroom.
    Joel is the same student who asked me, "But what is it, really?" about the grid for an ellipse a few semesters back. He is also the one who 3D printed the torus knot for me so that I could figure out how to draw it. This time, he figured out how to keep the stress of the heavy stones on the metal structure, instead of expecting the plywood not to sag under their weight. I reckon our average stone weighs about 30 lbs, so multiplied by nine for each shelf is quite a load. It's nice to hang around with smart people :)
    I think we are just about ready to start graining stones.







Friday, August 23, 2019

IF: Folklore




I know I already posted to IF this week, but I just spent the day moving my son into his new apartment and for some reason, I started thinking about this image that he and I created together when he was about 7 (he is 21 now!) for an Artist's Trading Card. We discovered that a Japanese Folklore creature called a kappa (a nasty kind of dude who can do awful things to you, but is unfailingly polite, which is it's undoing) had some things in common with a Yu-Gi-Oh character he was interested in at the time that had special properties of light. So, in honor of our one and only joint artistic venture, I am posting twice for IF's topic of Folklore.

Wednesday, August 21, 2019

New one


   Today, I sat through the beginning of the semester meetings. It was not a joy. I suppose public education is suffering everywhere from lack of funds. So even though I'm excited about getting the litho shop set up and sharing what I learned this summer, spending the day hearing from administrators about the state of the university sent me straight to my marimba first and my easel second when I got home. They were both sweet relief.
     After obsessing about strict perspective rules for so long, in this new one I'm easing up a bit and letting my eyeballs do more of the work, rather than my brain. I can tell I'm going to fuss with these lines a few more times before I start adding layers of paint. 
     Even though there is a tornado in this one, I promise there will be a hopeful element as well. I have a feeling we are going to need some of those in the next couple of years.
    This checkerboard pattern has always been really comforting to me. It first struck me when I saw this painting at the Art Institute of Chicago for the first time many years ago. I've used the pattern many, many times. And now, I'm hankering for it again. This one is called "Thanksgiving", by Doris Lee (1935).




Friday, August 16, 2019

Illustration Friday: Folklore


When I was little, one of my favorite stories was about an ogre who showed up at an old woman's house and was bullying her. She offered him a basket of apples, but one of them was actually a pin cushion that only looked like an apple. When he took a bite of it, the pins stuck in his teeth and tongue, and he went away howling. I love stories where bullies get outsmarted. I think I changed it into a tomato because my mom had one that looked more like a tomato than an apple. Anyway, it's a pretty old painting, done in my first gold leaf and egg tempera phase. I'm posting it here for this week's IF prompt, Folklore.

Sunday, August 11, 2019

Illustration Friday: Street


This week's Illustration Friday topic is Street.The background of this painting, titled Annunciation, was inspired by a painting with a street by Remedios Varo.

Thursday, August 8, 2019

Colorized Cricket


    One of my litho proofs was really light, and it reminded me of the old way of doing a value underpainting and layers of transparent color over. So, I tried out Prismacolor colored pencils on top of the proof. I learned I need to think ahead a little better and not be too hasty. Seems like I keep having to learn that one over and over.


Bless the Hearts of Those with Experience

   Ever since I got back from Zygote, and actually, since the beginning of this new litho chapter, I've been puzzling about how to set up a graining area in or near my classroom. Rebekah the Excellent, my teacher, offered me three different solutions. The easiest one consisted of putting the stones in a big, low, sturdy plastic tub and graining stone on stone with a pitcher of water nearby. This is the most attractive option, both because we can do it inside my classroom rather than out, which means we can do it no matter the weather, AND, I don't have to do any carpentry to make a grate to grain on in a sink. I am a not mucher when it comes to carpentry. I don't know if I've mentioned that before.
   
    As it turns out, all of my searches for 'sturdy' or 'heavy-duty' tubs yielded nothing that could stand up to the weight of the stones and the wear and tear of graining. I've been resigning myself to carpentry, but, on a flash of inspiration, I stopped by a farming supply store. I told the lady at the cash register what I wanted and initially, she said they didn't have anything like that. I explained a little bit about what I wanted to do and after a moment, a light went off in her eyes and she named the thing that would work! Which was a tub made for mixing concrete. Who knew that existed? And then, a contractor fellow in line confirmed that it would indeed be fine for graining. So, bless the hearts of people with experience!
    Here it is. Isn't it handsome? I'll probably put some boards in the bottom to make the stones easier to lift out, but, as soon as our Leveling Bar gets here, I think we are ready to start graining stones!


Sunday, August 4, 2019

Unflappable



Well, another day, another shooting. How did we get to such an ugly place?

   I think I'm pretty much done with this little painting, although I won't swear I won't mess with the clouds a bit more. In the beginning, I had fully intended to put a leak in her boat. But, things are so terrible out there right now, especially for women and anyone who is different, I didn't have the heart to add to her burden. Besides, she seems pretty unflappable. If she did get a leak, I imagine her plugging it up straight away. Even if she had to use her hair to do it.

I have another pair of stretchers this size, ready to make another little painting.
Maybe I should do some portraits of more unflappable women.

Saturday, August 3, 2019

Illustration Friday: Politician


    Today's prompt for Illustration Friday is "Politician", so it is my pleasure to pull these guys out again. In Japanese folklore, oni are like our ogres. One story I read about them was that a young woman had been kidnapped (or sold into marriage; either way it's about the same thing) and her mother came to rescue her. They got away and ran, but the oni followed them to a river and wouldn't let them pass. So, both the women lifted their skirts and scared the oni away! I'm not kidding!
    Anyway, these guys fit how I see many of our politicians today; mean and ugly on the outside and selfish and cowardly on the inside.

Monday, July 29, 2019

The Cricket Sang

     I just realized that I had assumed a causation between the cricket singing and the sun setting in Dickinson's poem. It just goes to show you that I grew up on cartoons and fanciful interpretations!
     Anyway, here is my final litho from the Green Lithography Workshop at the Zygote Press in Cleveland, Ohio.
     Even though I had to speed through drawing this, and I see lots of things I wouldn't let my students get away with, as far as ease of printing, this is my best litho yet. And, bonus! This time, I actually started to understand the science of this process. Rebekah, an artist in residence at Zygote, was an excellent teacher. There is a definite parallel between traditional litho and the green techniques that were the focus of this workshop, so besides the cutting edge green methods, Rebekah kept dropping these little pearls of wisdom about how to solve little problems that have vexed me for years. She is an old artist in a young person's body. 
     Now, I can't wait to get back to my classroom and start graining and exploring the press. It's going to cost a little bit to get this shop up and running, but in the end, we'll have helped keep litho alive for a new generation of students, and they won't lose their teeth in the process! ;) I'm going to have to try and wring some funds from my department, somehow. There must be a grant with my name on it somewhere.



The cricket sang,
And set the sun,
And workmen finished, one by one,
Their seam the day upon.

The low grass loaded with the dew,
The twilight stood as strangers do
With hat in hand, polite and new,
To stay as if, or go.

A vastness, as a neighbor, came,--
A wisdom without face or name,
A peace, as hemispheres at home,--
And so the night became. 

Emily Dickinson

Silver Lining




    Well, the press did not get fixed in time, but lucky for our class, our teacher arranged for us to print at the Cleveland Institute of Art's state of the art litho shop. Not only did it have two Takach presses, but it was air-conditioned, which was a particular blessing on a steamy printing day like last Friday. 
    

Thursday, July 25, 2019

Schizzle happens


  Well. We were on the press, washed out, rolled up and ready to print, and on the first crank, nothing moved. The press was inexplicably frozen and wouldn't turn the gears. The woman in the photo is our excellent teacher Rebekah the Unflappable, who proceeded to take apart the press to see what could be the trouble. She cheerfully proclaimed that this was a good opportunity to see what to do in case the press breaks.
    But, even though printmaking is problem solving, it is going to take more than a bunch of artists to solve this problem. Fortunately, the Cleveland Institute of Art has volunteered to let us use their presses tomorrow so we can finish our work. 
     During the downtime, I got to visit the Museum of Contemporary Art. One of the exhibits, by Lee Mingwei, included a bank of cut flowers which visitors were supposed to take with them and give to a stranger. I wish I had taken a picture of the bank instead of this, but there it is. When I approached a stranger outside the building, he clearly thought I was going to ask for money, but when I told him I got the flower from the museum and was directed to gift it to someone I didn't know, his face broke into a big smile. Totally worth the trip.


   

Wednesday, July 24, 2019

Cricket after first etch

   This was drawn on the stone with litho crayons and a little bit of tusche in the water area. So far so good! The image will be flipped when it is printed. Tomorrow is printing day :)
 

Tuesday, July 23, 2019

IF: Mysterious

    This week's topic for Illustration Friday is Mysterious. This is a little portrait I painted quite a bit ago, but I think she fits the topic. Perhaps she is as mystified by herself as she appears to others.

.




Monday, July 22, 2019

Litho Workshop

   This week, I'm attending a lithography workshop that promises to teach us how to make the litho process less toxic. Which is a very good thing since the traditional methods include things like asphaltum which contains asbestos! That's only one of the nasty things included in the process. The teacher made a joke about how if we learn these methods, maybe we won't lose our teeth. That made everybody laugh, but she explained that printmakers often lost them because they used to taste the nitric acid to see if it was strong enough to etch the stone. Yikes!
    So, I'm grateful to be here and for what I will learn. This is a picture of another student graining her stone, and mine along with it:

   The stones have to be absolutely level so that they don't crack under the pressure of the press during printing. That would be a real loss, since the stones are no longer being mined. If you have any litho stones, hang on to them, because they are precious.
    This shop was gifted many stones that had been used as paving stones in someone's yard. (Sheesh.) So, they are in rough shape and we spent the whole day getting them ready for drawing. 
    To grain a stone, one stone is rotated on top of another with a layer of iron grit in between. Since both stone are grained during this process, we took turns at the job. I think we probably did 10 rounds each, rinsing and reapplying grit between each round. And we aren't quite done! Tomorrow we will follow up with two rounds each of two finer grits. 
      This is the image I think I am going to use on my stone. I'm learning a marimba piece right now called A Cricket Sang and Set the Sun, a really beautiful and challenging (for me, at least) solo by Blake Tyson. The title came from an Emily Dickinson poem, about the crickets telling everyone it was time to stop working and start the evening. Ever since I read it, I've been mulling over doing an image about it.
     So, this cricket is supposed to be singing, except I don't really think it looks like it, yet. It's mouth is open, but it is hard to tell in this photo. Maybe it needs an instrument. Or a backup band :)  
     
     

Tuesday, July 16, 2019

The Fussy Stage


    She's so tiny! I'm at the fussing over tiny bits of paint and value stage. Tomorrow, I'll fix the oars and try to give the boat more of a shine. 

Much Better!


Saturday, July 13, 2019

A Better Fix

This is the drawing I ended up using for this fix. Below is the painting with the shape I need to change drawn in. Such a lot of steps for a tiny alteration.





Monday, July 8, 2019

Oh boy! More Math!




 


   This is a copy of painting from a few years ago that now belongs to my friend, Olive. I painted it before I wised up about using geometry to divide planes and define forms in perspective more precisely. Every time I go over to her house, a mistake in the arch bothers me. So, I borrowed it back and I'm going to fix it. On the right is the drawing of the alteration that needs to be made. The brown on the upper right is chalk that will help me transfer the corrected arch to the painting. Now all I need to do is match the colors. 

Friday, July 5, 2019

 
   I'd forgotten how much fun it was to paint clouds.The poor mermaid has been going without a head or much of a tail while I try to figure these out. Lucky for me, the clouds at my house have been big and grand lately. Every time I go outside I get treated to a cloud lesson.
    When I was a kid, I spent a lot of time looking at clouds and making pictures out of them. I've had to resist making pictures too obvious in these. For the longest time, I kept seeing a puppy in the lower  left cloud structure. It was a bit of a struggle to change it so I couldn't see it anymore. I want them to look like they could be a thousand things, not just one.
     I think I need to lighten up the shadows on the landscape.
   

Friday, June 28, 2019

A little progress


   I've been having a lot of fun with these clouds. It's probably as close as I get to working abstractly, and it is a nice change. I'm not sure I'm a fan of the way I painted the sky this time, but again, it is a nice thing to change up my habits once in a while. I'm working on getting a layering effect to add more depth. I'm thinking about letting some of the clouds overlap the skyline, but I'm not sure just yet. Sometimes, it looks to me like she is actually on water instead of in the air. I might have to put some birds in to help her out.
   I'd say this is almost half-way finished. Like the repairman said in Toy Story, "You can't rush art".

IF: War


This week's Illustration Friday prompt is War. While I have no images of war, I do have this one, an image of someone who is a warrior of sorts. It is a portrait based on the Guerrilla Girl, Julia Child. The Guerrilla Girls are artists and activists who fight for equality for women artists. You can read more about them here: https://www.guerrillagirls.com/#open

The title of the drawing is The Fitting Room, from 2009. Wow! 10 years ago!

Saturday, June 22, 2019

Torus: Freehand Guess in a Cube

This is my late night guess (with no actual observation). Tomorrow, I'll look at the model and see if I am close. I think I have to nail down the centers and the corners. Why are threes always so much harder than fours?

Torus: First Attempt


  This is my first attempt at drawing the torus knot. I don't know what I'm doing (is it obvious?) so I drew it freehand first, and then started to assign receding lines to three separate vanishing points. Now that I see it here, I think maybe a good next step would be to build a cube around it so I can plot the points on the vertical planes and well as the horizontal ones. I also see a little wobble in some of the lines, too. 
    Hmm...since the Rubik's' Cube is divided in threes, I wonder if those divisions of the cube would be helpful here?
   

Thursday, June 13, 2019

Gold Leaf the Easy Way


     I'm not sure exactly what this paper is, but it was a beautiful and recent gift from my friend Kathy when I told her I was thinking about tackling gold leaf again. I love the rich look of the old gold leaf panel paintings, but I wasn't looking forward to to sanding the bole. I have a terrible time getting a smooth surface with it. Kathy very kindly offered this paper to me to try. I think it may be some sort of illumination paper. This is my practice sheet. I already mucked it up, because I didn't transfer the figure properly. But so far, the paper is accepting the paint and taking layers. I think it might work!


    This is the basis for the figure (that is missing) on the gold paper above. When I was at Wheatland (http://www.wheatlandmusic.org) a couple of years ago, there were many talented young buskers showing off their work. This is based on a little girl who had written her songs on a piece of paper and stood and sang them for anyone who would listen. How cool is that?

Friday, June 7, 2019

Ice Mountain


   Today's prompt for Illustration Friday is 'Mountain', so I thought I'd dust this one off and submit it for my contribution.
    This goes all the way back to my days as a beginning grad student. I was trying to use ancient Hindu goddesses to convey contemporary messages. 
   At the time, the Nestle Company had just plopped a factory down in a beautiful rural area near my home (razing a lovely stone house to make room for it). My area is gifted with clear sweet drinking water, which Nestle proceeded to pump out of the ground free of charge, bottle it in plastic and charge $1.25 a bottle as Ice Mountain water. It has been a hotly contested issue in my area, but so far, Nestle continues to profit while our water table suffers. This painting was mean to comment on that issue. Talk about beating the issue with a stick, right?
     Although this is not my favorite painting, I do like the little demon under her foot. One of these days, I might cut him out and fix him up (without the foot) so the painting can be about just him, instead.